Value for Tuesday of Week 18 in the season of Growth

Being Intellectually Honest

Sometimes people say the goofiest things with apparent conviction. This is a sign that the person is not being intellectually honest.

  • In all debates, let truth be thy aim, not victory, or an unjust interest. [William Penn, Some Fruits of Solitude in Reflections & Maxims (1682), “Rules of Conversation,” Part I.]
  • The trouble with most of us is that we would rather be ruined by praise than saved by criticism. [attributed to Norman Vincent Peale]
  • Sometimes a man wants to be stupid if it lets him do a thing his cleverness forbids. [John Steinbeck, East of Eden (1952).]
  • . . . for a man sees what he wants to see, and disregards the rest. [Paul Simon, “The Boxer”.]

Logic and reason have rules, which do not change in response to our desires. A commitment to honesty demands that we follow those rules even when they lead us to a conclusion we would prefer not to make.

When I see myself ignoring someone’s point, it is a sign that I am not being intellectually honest and that I probably have some reason why I do not wish to hear what she has to say. That is precisely the time when I need to listen most carefully. Until this practice becomes a habit among people at large, we will continue to experience major political, social and economic upheavals. It is not mainly the fault of dishonest or unscrupulous politicians. It is our fault because we are the ones who reward their behavior and have the power to stop it.

Opposites include propaganda.

Real

True Narratives

From the dark side:

The winners write the history, often with tragic results - on epic historical lies:

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

“Humbug! We are not quite reduced to that yet. Alfred who is as determined a despot as ever walked, does not pretend to this kind of defence; — no, he stands, high and haughty, on that good old respectable ground, the right of the strongest; and he says, and I think quite sensibly, that the American planter is ‘only doing, in another form, what the English aristocracy and capitalists are doing by the lower classes;’ that is, I take it, appropriating them, body and bone, soul and spirit, to their use and convenience. He defends both, — and I think, at least, consistently. He says that there can be no high civilization without enslavement of the masses, either nominal or real. There must, he says, be a lower class, given up to physical toil and confined to an animal nature; and a higher one thereby acquires leisure and wealth for a more expanded intelligence and improvement, and becomes the directing soul of the lower. So he reasons, because, as I said, he is born an aristocrat; — so I don’t believe, because I was born a democrat.” [Harriett Beecher Stowe, Uncle Tom’s Cabin or Life Among the Lowly (1852), Volume II, Chapter XIX, “Miss Ophelia’s Experiences and Opinions Continued”.]

 From the dark side:

‘O, there’s a great deal to be said on both sides of the subject,’ said a genteel woman, who sat at her state-room door sewing, while her little girl and boy were playing round her. ‘I’ve been south, and I must say I think the negroes are better off than they would be to be free.’ ‘We can’t reason from our feelings to those of this class of persons,’ said the other lady, sorting out some worsteds on her lap. ‘Indeed, ma’am, you can know nothing of them, if you say so,’ answered the first lady, warmly. ‘I was born and brought up among them. I know they do feel, just as keenly, — even more so, perhaps, — as we do.’ The lady said ‘Indeed!’ yawned, and looked out the cabin window, and finally repeated, for a finale, the remark with which she had begun, — 'After all, I think they are better off than they would be to be free.’ [Harriett Beecher Stowe, Uncle Tom’s Cabin or Life Among the Lowly (1852), Volume 1, Chapter XII, “Select Incident of Lawful Trade”.]

Novels:

Poetry

Poetry is the supreme fiction, madame.

Take the moral law and make a nave of it

And from the nave build haunted heaven. Thus,

The conscience is converted into palms,

Like windy citherns hankering for hymns.

We agree in principle. That's clear. But take

The opposing law and make a peristyle,

And from the peristyle project a masque

Beyond the planets. Thus, our bawdiness,

Unpurged by epitaph, indulged at last,

Is equally converted into palms,

Squiggling like saxophones. And palm for palm,

Madame, we are where we began. Allow,

Therefore, that in the planetary scene

Your disaffected flagellants, well-stuffed,

Smacking their muzzy bellies in parade,

Proud of such novelties of the sublime,

Such tink and tank and tunk-a-tunk-tunk,

May, merely may, madame, whip from themselves

A jovial hullabaloo among the spheres.

This will make widows wince. But fictive things

Wink as they will. Wink most when widows wince.

[Wallace Stevens, “A High-Toned Old Christian Woman”]

Music: Composers, artists, and major works

Umberto Giordano, Andrea Chénier (1896) (approx. 110-125’) (libretto) (list of recorded performances): André Chénier was a French poet who “was a supporter of the French Revolution , but fierce critic of Robespierre, and thus ended under the guillotine.” His life story, presented in Giordano’s opera, illustrates how art can be intellectually honest. Top recorded performances are by Gigli, Caniglia & Bechi in 1941, Corelli, Tebaldi & Bastianini in 1960, Domingo, Scotto & Milnes in 1977 ***, and Kaufman, Westbrook & Lučić in 2015. 

Jordi Savall has produced a work entitled “Erasmus van Rotterdam: Éloge de la Folie” (Praise of Folly) (2013) (225’), about the early Humanist Erasmus. This 6-CD set (three with music and words, three with music only) opens with a disc that presents Erasmus’ views on folly, its elements and its antidotes. The next two discs focus on Erasmus’ life and work. These early lines from Folly’s narration led to the placements of this work under intellectual honesty, instead of other suitable values such as rationality or reason: “I am the folly and I alone ignite the world with pleasure, sweetness and delight. All are in my service, more or less, each one in thrall, and yet there is no man on earth who thinks himself a fool.”

Music: songs and other short pieces

From the dark side:

Visual Arts

Film and Stage

This Is Our Story

A religion of values and Ethics, driven by love and compassion, informed by science and reason.

PART ONE: OUR STORY

First ingredient: Distinctions. What is the core and essence of being human? What is contentment, or kindliness, or Love? What is gentleness, or service, or enthusiasm, or courage? If you follow the links, you see at a glance what these concepts mean.

PART TWO: ANALYSIS

This site would be incomplete without an analytical framework. After you have digested a few of the examples, feel free to explore the ideas behind the model. I would be remiss if I did not give credit to my inspiration for this work: the Human Faith Project of Calvin Chatlos, M.D. His demonstration of a model for Human Faith began my exploration of this subject matter.

A RELIGION OF VALUES

A baby first begins to learn about the world by experiencing it. A room may be warm or cool. The baby learns that distinction. As a toddler, the child may strike her head with a rag doll, and see that it is soft; then strike her head with a wooden block, and see that it is hard. Love is a distinction: she loves me, or she doesn’t love me. This is true of every human value:

justice, humility, wisdom, courage . . . every single one of them.

This site is dedicated to exploring those distinctions. It is based on a model of values that you can read about on the “About” page. However, the best way to learn about what is in here is the same as the baby’s way of learning about the world: open the pages, and see what happens.

ants organic action machines

Octavio Ocampo, Forever Always

Jacek Yerka, House over the Waterfall

Norman Rockwell, Carefree Days Ahead

WHAT YOU WILL SEE HERE

When you open tiostest.wpengine.com, you will see a human value identified at the top of the page. The value changes daily. These values are designed to follow the seasons of the year.

You will also see an overview of the value, or subject for the day, and then two columns of materials.

The left-side column presents true narratives, which include biographies, memoirs, histories, documentary films and the like; and also technical and analytical writings.

The right-side columns presents the work of the human imagination: fictional novels and stories, music, visual art, poetry and fictional film.

Each entry is presented to help identify the value. Open some of the links and experience our human story, again. It belongs to us all, and each of us is a part of it.

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The Work on the Meditations