Value for Tuesday of Week 10 in the season of Sowing

Planning

Our human capacity to plan makes much of the good in our lives and our societies possible. Planning can be for good or for ill. It is a component of autonomy in the domain of thinking.

  • Let our advance worrying become advance thinking and planning. [attributed to Winston Churchill]
  • Being busy does not always mean real work. The object of all work is production or accomplishment and to either of these ends there must be forethought, system, planning, intelligence, and honest purpose, as well as perspiration. Seeming to do is not doing. [Thomas A. Edison]
  • In preparing for battle I have always found that plans are useless, but planning is indispensable. [attributed to Dwight D. Eisenhower]
  • Never look back unless you are planning to go that way. [falsely attributed to Henry David Thoreau]

Because we are autonomous beings capable of imagining what is possible, we can plan actions that can transform our dreams into reality. The ability to plan is an essential part of the human narrative.

Lesson plans are important in teaching. Blueprints are important in the building trades. Drawn-out plays are important in sports. Space shots require detailed planning on many levels. As technologies have advanced, and societies have become more complex, planning has become progressively more intricate.

Real

True Narratives

Histories of architecture, a discipline of planned function and aesthetics:

National and military intelligence services exemplify high-level planning:

Small-scale examples of exceptional planning:

From the dark side:

Technical and Analytical Readings

Notwithstanding the Great Depression, the past few decades have seen a decline in the American middle class and a loss of the United States’ manufacturing base. Despite our sophistication and empirical support for economic theories, myopic biases still drive national policies. Even the most sophisticated nations still have not developed learn to plan for sustainable futures. Histories of the rise and fall of nations tell this story in the negative.

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

The attack of the right wing of the French on Papelotte was calculated, in fact, to overthrow the English left, to cut off the road to Brussels, to bar the passage against possible Prussians, to force Mont-Saint-Jean, to turn Wellington back on Hougomont, thence on Braine-l'Alleud, thence on Hal; nothing easier. With the exception of a few incidents this attack succeeded Papelotte was taken; La Haie-Sainte was carried. [Victor Hugo, Les Miserables (1862), Volume II – Cosette; Book First – Waterloo, Chapter V, “The Quid Obscurum of Battles”.]

For three years now he had been planting trees in this solitary way. He had planted one hundred thousand. Of these one hundred thousand, twenty thousand had come up. He counted on losing another half of them to rodents and to everything else that is unpredictable in the designs of Providence. That left ten thousand oaks that would grow in this place where before there was nothing. [Jean Giono, “The Man Who Planted Trees” (1953).]

The planning is in the writing:

Poetry

For every parcel I stoop down to seize / I lose some other off my arms and knees, / And the whole pile is slipping, bottles, buns -- / Extremes too hard to comprehend at once, / Yet nothing I should care to leave behind.
With all I have to hold with hand and mind / And heart, if need be, I will do my best / To keep their building balanced at my breast.
I crouch down to prevent them as they fall; / Then sit down in the middle of them all. / I had to drop the armful in the road / And try to stack them in a better load.

[Robert Frost, “The Armful”]

Music: Composers, artists, and major works

Compositions:

Music: songs and other short pieces

Visual Arts

Film and Stage

This Is Our Story

A religion of values and Ethics, driven by love and compassion, informed by science and reason.

PART ONE: OUR STORY

First ingredient: Distinctions. What is the core and essence of being human? What is contentment, or kindliness, or Love? What is gentleness, or service, or enthusiasm, or courage? If you follow the links, you see at a glance what these concepts mean.

PART TWO: ANALYSIS

This site would be incomplete without an analytical framework. After you have digested a few of the examples, feel free to explore the ideas behind the model. I would be remiss if I did not give credit to my inspiration for this work: the Human Faith Project of Calvin Chatlos, M.D. His demonstration of a model for Human Faith began my exploration of this subject matter.

A RELIGION OF VALUES

A baby first begins to learn about the world by experiencing it. A room may be warm or cool. The baby learns that distinction. As a toddler, the child may strike her head with a rag doll, and see that it is soft; then strike her head with a wooden block, and see that it is hard. Love is a distinction: she loves me, or she doesn’t love me. This is true of every human value:

justice, humility, wisdom, courage . . . every single one of them.

This site is dedicated to exploring those distinctions. It is based on a model of values that you can read about on the “About” page. However, the best way to learn about what is in here is the same as the baby’s way of learning about the world: open the pages, and see what happens.

ants organic action machines

Octavio Ocampo, Forever Always

Jacek Yerka, House over the Waterfall

Norman Rockwell, Carefree Days Ahead

WHAT YOU WILL SEE HERE

When you open tiostest.wpengine.com, you will see a human value identified at the top of the page. The value changes daily. These values are designed to follow the seasons of the year.

You will also see an overview of the value, or subject for the day, and then two columns of materials.

The left-side column presents true narratives, which include biographies, memoirs, histories, documentary films and the like; and also technical and analytical writings.

The right-side columns presents the work of the human imagination: fictional novels and stories, music, visual art, poetry and fictional film.

Each entry is presented to help identify the value. Open some of the links and experience our human story, again. It belongs to us all, and each of us is a part of it.

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The Work on the Meditations