- I have come to believe that a great teacher is a great artist, and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit. [John Steinbeck, “. . . like captured fireflies.”]
- Education leads to enlightenment. Enlightenment opens the way to empathy. Empathy foreshadows reform. [Derrick A. Bell, Faces at the Bottom of the Well: The Permanence of Racism (Basic Books, 1992), Chapter 8, “Racism’s Secret Bonding”.
Education has long been a central ethical concern. It is critical to the welfare of the individual and the state. In developed and developing countries, people spend considerable time, energy and other resources on it.
Real
True Narratives
I recall many incidents of the summer of 1887 that followed my soul's sudden awakening. I did nothing but explore with my hands and learn the name of every object that I touched; and the more I handled things and learned their names and uses, the more joyous and confident grew my sense of kinship with the rest of the world. When the time of daisies and buttercups came Miss Sullivan took me by the hand across the fields, where men were preparing the earth for the seed, to the banks of the Tennessee River, and there, sitting on the warm grass, I had my first lessons in the beneficence of nature. I learned how the sun and the rain make to grow out of the ground every tree that is pleasant to the sight and good for food, how birds build their nests and live and thrive from land to land, how the squirrel, the deer, the lion and every other creature finds food and shelter. As my knowledge of things grew I felt more and more the delight of the world I was in. Long before I learned to do a sum in arithmetic or describe the shape of the earth, Miss Sullivan had taught me to find beauty in the fragrant woods, in every blade of grass, and in the curves and dimples of my baby sister's hand. She linked my earliest thoughts with nature, and made me feel that "birds and flowers and I were happy peers." [Helen Keller, The Story of My Life (1904), Chapter V.]
Best known for his contribution to education, John Dewey was an educator about many things.
- Robert B. Westbrook, John Dewey and American Democracy (Cornell University Press, 1991).
- Sidney Hook, John Dewey: An Intellectual Portrait (Prometheus Books, 1995).
- Alan Ryan, John Dewey and the High Tide of American Liberalism (W.W. Norton and Company, 1995).
Other great educators:
- Geoffrey Langlands founded and ran the Langlands School and College in Pakistan’s Hindu Kush Mountains.
Imagine trying to tell our story without books . . .
- Andrew Pettegree, The Book in the Renaissance (Yale University Press, 2010).
- Lucien Febvre and Henri-Jean Martin, The Coming of the Book: The Impact of Printing 1450-1800 (Verso, 2010).
- Marshall McLuhan, The Gutenberg Galaxy: The Making of Typographic Man (University of Toronto Press, 1962).
- Adrian Johns, The Nature of the Book: Print and Knowledge in the Making (University of Chicago Press, 1998).
- Elizabeth L. Eisenstein, The Printing Press As an Agent of Change (Cambridge University Press, 1979).
- David Finkelstein and Alistair McLeery, The Book History Reader (Routledge, 2001).
. . . or libraries.
- Stuary A.P. Murray, The Library: An Illustrated History (Skyhorse Publishing, 2009).
- Matthew Battles, Library: An Unquiet History (W.W. Norton & Company, 2004).
- Lionel Casson, Libraries in the Ancient World (Yale University Press, 2001).
Of course, neither books nor libraries would have been necessary if the Internet had been a product of nature instead of a product of human invention. In stark contrast to the many hours I spent in The University of Michigan Law Library as a student in the mid-1970s, I have not opened a casebook in decades. All the information my colleagues and I need is available online, and what is more, we can search the cases at least ten times faster than when my career began. The same is true in virtually every discipline that relies on research from written materials. Scholarly works appear many times faster than they did a generation ago, because the research is at our fingertips.
- Daniel Cohen and Roy Rozenzweig, Digital History: A Guide to Gathering, Preserving and Presenting the Past on the Web(University of Pennsylvania Press, 2005).
- Thomas J. Misa, Leonardo to the Internet: Technology & Culture from the Renaissance to the Present (Johns Hopkins University Press, 2004).
- Robert J. Cavalier, The Impact of the Internet on Our Moral Lives (State University of New York Press, 2005).
James Madison "is deservedly remembered as 'the Father of the Constitution" . . . the principal . . . author of what would become our Bill of Rights and the prime organizer of the Jeffersonian Republican party". The "Father of Politics" "lived in his head, but his head was always concerned with making his cherished thoughts real."
- Richard Brookhiser, James Madison (Basic Books, 2011).
- Ralph Lewis Ketcham, James Madison: A Biography (American Political Biography Press, 2003).
- Garry Wills, James Madison (Times Books, 2002).
- The James Madison Papers (Library of Congress).
- Dorothy Wickenden, Nothing Daunted: The Unexpected Education of Two Society Girls in the West (Scribner, 2017). “ . . . Wickenden has painstakingly recreated the story of how that earlier Dorothy and her friend Rosamond Underwood embarked on a brief but life-changing adventure, teaching the children of struggling homesteaders.”
Notable examples of ordinary teachers:
- Dorothy Wickenden, Nothing Daunted: The Unexpected Education of Two Society Girls in the West (Scribner, 2017). “ . . . Wickenden has painstakingly recreated the story of how that earlier Dorothy and her friend Rosamond Underwood embarked on a brief but life-changing adventure, teaching the children of struggling homesteaders.”
- Nicholson Baker, Substitute: Going to School With a Thousand Kids (Blue Rider Press, 2016): “With irresistible effrontery, ‘Substitute’ dares its readers to ask, ‘Is all this tedium really necessary?’ only to have us turn and ask the same question on behalf of our kids. For that reason alone, there are few substitutes for ‘Substitute.’ Excepting those accounts that point to larger social injustices, Baker’s book may be the most revealing depiction of the contemporary American classroom that we have to date.”
On learning:
- Jeremy Denk, Every Good Boy Does Fine: A Love Story, in Music Lessons (Random House, 2022): “Part of it retraces Denk’s erotic awakening with acuity and compassion. But as that process develops at its own befuddled pace, his conquest of technical difficulties storms ahead, while his musical horizons gradually expand. Inevitably, these different tempos bump up against each other in poignant and sometimes comical ways.”
- Arianna Warsaw-Fan Rauch, Declassified: A Low-Key Guide to the High-Strung World of Classical Music (Penguin Audio, 2022): “. . . what if we reimagined the word (studying) in the context of the lifelong learner, not as a chore but as the channel to a joy that can be had from staying with a single subject for hours, from revisiting it again and again, even when you think there’s nothing else to learn?”
Technical and Analytical Readings
“Education is not the filling of a pail, but the lighting of a fire.” [Elizabeth Green, see below.]
- Elizabeth Green, Building a Better Teacher: How Teaching Works (and How to Teach It to Everyone) (W.W. Norton & Company, 2014): “‘Education is not the filling of a pail, but the lighting of a fire.’”
- Garret Keizer, Getting Schooled: The Reeducation of an American Teacher (Metropolitan Books, 2014): “His beautiful book holds much insight into the joys and frustrations of teaching.”
Photographs
Documentary and Educational Films
- To Be and To Have (Etre et Avoir), about Georges Lopez, a remarkable teacher at a small school in France; “the portrait of an artist, a man whose work combines discipline and inspiration and unfolds mysteriously and imperceptibly”
- Thunder Soul: about an unlikely high school jazz bandand its teacher-leader
Imaginary
Fictional Narratives
Intellectual learning:
Novels:
- Jessica Andrews, Saltwater: A Novel (Farrar, Straus & Giroux, 2020): “. . . what makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up.”
- Claire-Louise Bennett, Checkout 19: A Novel (Riverhead Books, 2022): “. . . Bennett shares a similar biography to that of her narrator, but the life she describes is one blown open by imaginative writing, by the work other writers have fashioned from their own lives, and by the transformative and transportive nature of reading.”
Poetry
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
[John Keats, Sonnet XI. “On First Looking into Chapman’s Homer”]
Music: Composers, artists, and major works
Angélique Kidjo is a “passionate campaigner for children's rights, climate change and girl's education . . .” She “uses her voice and social influence to advocate for female education all over Africa.” She has said: “I am in favor of a holistic approach to education: young African girls need to go to school, but I would also like to see the society and the local communities be equally responsible for our youth's education. We need to transmit, all together, ideas, practices, and knowledge that will allow an entire young generation to live in an improved society where their rights and lives are respected and celebrated.” Here are links to her releases, her playlists, a documentary film, in interview, live at Festival International in 2023, and some videos.
“All of Beethoven’s compositions up to 1802 strongly exhibit Mozart’s influence”, and Haydn’s. “. . . Beethoven had a delicate balance to strike in his early works between making a name for himself, that is to say getting out of the enormous shadows cast by Mozart and Haydn, and paying his respects to and honoring their legacy.” Among the most notable of Ludwig van Beethoven’s early compositions are his first two piano concerti and first two symphonies. “Beethoven’s first two piano concerti typify his early period. While many of his works from this period show the obvious influence of Haydn, with whom Beethoven studied when he first came to Vienna, Mozart serves at Beethoven’s point of departure when he began writing for piano and orchestra.” “The first two of Beethoven’s nine symphonies fall into what is generally considered the composer’s ‘early period.’ As such, they owe much to the spirit of Haydn and Mozart.”
- Beethoven, Piano Concerto No. 2 in B-flat major, Op 19 (1801) (approx. 29-32’): Beethoven “may have started the Concerto as early as 1793, in Bonn, and continued it later that year in Vienna while studying with Haydn . . .” “Beethoven’s B-flat concerto was not an isolated pianistic event, but an exercise in the style of its day. Anybody presenting a piano concert in Vienna at the turn of the 19th century did so in the shadow of the late Mozart.” Top recorded performances are by Perahia (Haitink) in 1985, Aimard (Harnoncourt) in 2001, Bronfman (Zinman) in 2006, Lewis (Bělohlávek) in 2010, Andsnes in 2012, Helmchen (Manze) in 2019, and Zimerman (Rattle) in 2020.
- Beethoven, Piano Concerto No. 1 in C major, Op. 15 (1800) (approx. 39-42’): “Unlike his . . . concerto in B-flat major, in which he consciously imitated the styles of Mozart and Haydn, this piece shows the emergence of Beethoven’s own unmistakable voice with its bold melodic ideas and daring harmonies.” (Though the publication date is earlier than that of Concerto No. 2, Beethoven composed No. 2 first.) “Whereas the earlier Concerto was a drawing-room work, done with an orchestra so small that Beethoven could rehearse it in his apartment, the C-major Concerto is public music, written for the concert hall, with as large an orchestra as had ever been used in a piano concerto, complete with horns, trumpets, and timpani, and full of contrasts of loud and soft that are absent from his earlier Concerto.” Top recorded performances are by Perahia (Haitink) in 1985, Aimard & (Harnoncourt) in 2001, Bronfman (Zinman) in 2006, Lewis (Bělohlávek) in 2010, Andsnes in 2012, Zimerman (Rattle) in 2020, and Schuch (Chuang) in 2023.
- Beethoven, Symphony No. 1 in C major, Op. 21 (1801) (approx. 24-29’): “Beethoven opened his symphonic career with what has been called ‘a farewell to the eighteenth century,’ as if to clear the air and make room for his own voice.” He “departed his hometown of Bonn for Vienna in 1792 with a now-famous note . . . stating that (he) was to 'receive Mozart’s spirit from Haydn’s hands.' This letter . . . underscores Beethoven’s identity as heir to a specific musical tradition. In his First Symphony, Beethoven navigated a delicate balance between celebrating that symphony inheritance and finding his own voice.” Top recorded performances are conducted by Toscanini in 1937, Karajan in 1953, Szell in 1964, Jochum in 1967, Böhm in 1971, Bernstein in 1978, Harnoncourt in 1990, Gardiner in 1993, Chailly in 2010 ***, and Ádám Fischer in 2019.
- Beethoven, Symphony No. 2 in D major, Op. 36 (1802) (approx. 30-39’) is “by no means a game-changer in the course of classical music – that would come with the Eroica two years later. There are, though, already plenty of signs here that he was itching to go his own way.” In 1802, he remarked, “Every day I come closer to my goal, which I can sense but don’t know how to describe.” Top recorded performances are conducted by Hogwood in 1985, Harnoncourt in 1991, Gardiner in 1993, Skrowaczewski in 2007, Chailly in 2010, Barenboim in 2012, Ádám Fischer in 2019, and Jurowski in 2022.
Johann Sebastian Bach composed four sets of Clavier Übung (keyboard practice). BWV 825-830 are his six partitas for harpsichord. His fourth set is known as the Goldberg Variations. Both are covered elsewhere in these pages.
- Clavier Übung II for harpsichord (1735) (approx. 50’) includes the Italian Concerto (BWV 971) and Overture in the French Style (BWV 831), which “respectively represent two important national styles of the day, Italian and French. . . Bach’s aim was to extract these two distinct styles and give them expression in two keyboard works.” These are represented on disc as a set by Benjamin Alard and Aya Hamada.
- Clavier Übung III for organ (1739) (approx. 110-120’) consists of the Prelude and Fugue in E-flat Major (BWV 552), 21 choral preludes (BWV 669-689), and four duets (BWV 802-805). Bach intended them as a catechism of a sort. The entire set is represented on disc and in live performance by Jeremy Filsell, Ton Koopman, Stephen Farr, Marie-Claire Alain, James Johnstone, David Goode, and Bart Jacobs.
Other works:
- Franz Joseph Haydn, Symphony No. 55 in E-flat Major, Hob.I:55, "Der Schulmeister" (The Schoolmaster) (1774) (approx. 23-26’)
- Sergei Rachmaninoff, 6 Moments musicaux (Six Musical Moments), Op. 16 (1896) (approx. 28’): “Still a young composer in the Russian musical scene in the final years of the 19th century, Sergei Rachmaninoff found himself facing a looming personal financial crisis. Pressed for both time and money, in the fall of 1896 he threw himself into a feverish period of creativity that gave birth to the Moments musicaux, . . .” Each piece represents a musical form from a previous era.
- Sofia Gubaidulina, 10 Preludes (Studies) for solo cello (1974) (approx. 23-25’)
- Ferruccio Busoni, 7 Short Pieces for the Cultivation of Polyphonic Playing, BV 296 (1923) (approx. 20-23’)
- Charles-Auguste de Bériot, 9 Studies for solo violin (1854) (approx. 21’)
- Robert Schumann, Album pour la Jeunesse (Album für die Jugend) (Album for the Young), Op. 68 (1848) (approx. 58-69’), is divided into a section for beginners, and a section for more advanced students. Schuman composed the collection for his young daughters.
- Yevgeny Zemtsov, Violin Sonata No. 1, in memoriam Sergei Prokofiev (1961, rev. 2001) (approx. 18’)
Raga Shri (Shree), an evening (sunset) Raag, “usually personified as a calm, self-controlled hero, and portrayed as a royal and prosperous person” [The Raga Guide (Nimbus, 1999)]. “Siri raga is serious and thought-provoking in its nature and creates an atmosphere where the listener is led to heed the advice given therein. The listener (the mind) is made aware of the truth of the message and with this ‘education’ is given the strength to face the future with both humility and the ‘gained’ knowledge.” Performances are by Nikhil Banerjee, Kumar Ghandarv, Ali Akbar Khan, Ashwini Bhide Deshpandi, Priya Purushothaman, Venkatesh Kumar, and Ravi Shankar.
Music: songs and other short pieces
Learning:
- R.E.M., “Losing My Religion” (lyrics)
- Tracy Chapman, “Fast Car” (lyrics)
Educating:
- Nas, “I Can” (lyrics)
- Black Eyed Peas, “Where Is the Love?” (lyrics)
- Belle and Sebastian, “Expectations” (lyrics)
- Supertramp, “School” (lyrics)
Visual Arts
- Salvador Dali, Archaelogical Reminiscence of Millet's Angelus (1935)
- Edvard Munch, History (1916)
- Berthe Morisot, La Lecture (Reading) (1888)
- Edgar Degas, Dance Class (1874)
- Alfred Sisley, The Lesson (1874)
- Joseph Wright of Derby, A Philosopher Giving that Lecture in the Orrey, in Which a Lamp Is Put in Place of the Sun