All relationships involve negotiations. The title of this topic comes from Paul Simon’s song “Train in the Distance“, wherein Simon writes “negotiations and love songs are often mistaken for one and the same.” The idealized version of marriage is continual bliss but the truth, in a relationship between sincere parties, is an ongoing series of negotiations and a search for…
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Value for Sunday of Week 10 in the season of Sowing
Autonomy
We experience the self as an entity capable of making choices.
- Listen to the desires of your children. Encourage them and then give them the autonomy to make their own decision. [Denis Waitley]
- I distanced myself, relatively, from my parents for a year or so in my late twenties. It was necessary for me to feel my autonomy. Other than that brief gap, we have always been a very close family. [attributed to Jennifer Ehle]
- Unless we include a job as part of every citizen’s right to autonomy and personal fulfillment, women will continue to be vulnerable to someone else’s idea of what need is. [Gloria Steinem]
Though our paths and our fortunes may be linked, each of us experiences life as an autonomous individual. Fantasy though it may be, it seems as though we are endowed with an independence of person. The novel and film “The Exorcist” challenged this image with a horrifying image of its own: what if any of us could be taken over and inhabited by someone else, especially someone evil?
“The word autonomy is derived from the Greek words auto (meaning self) and nomos (meaning rule or governance). Autonomy refers to self-governance of the individual or personal rule of one’s self.” In medical ethics, autonomy is “a capacity to self-legislate in accordance with reason . . .” This gives rise to a field of medical ethics that involves respect for patient choice, and the boundaries that are deemed necessary sometimes to protect people from themselves.
Real
True Narratives
Technical and Analytical Readings
Technical writings on autonomy generally:
- Ben Colburn, ed., The Routledge Handbook of Autonomy (Routledge, 2022).
- John Christman, The Politics of Persons: Individual Autonomy and Socio-historical Selves (Cambridge University Press, 2009).
- J.B. Schneewind, The Invention of Autonomy: A History of Moral Philosophy (Cambridge University Press, 1997).
- Catriona Mackenzie and Natalie Stoljar, eds., Relational Autonomy: Feminist Perspectives on Autonomy, Agency, and the Social Self (Oxford University Press, 2000).
- Jennifer Nedelsky, Law’s Relations: A Relational Theory of Self, Autonomy, and Law (Oxford University Press, 2011).
- Gerald Dworkin, The Theory and Practice of Autonomy (Cambridge University Press, 1988).
- James Stacey Taylor, ed., Personal Autonomy: New Essays in Personal Autonomy and Its Role in Contemporary Moral Philosophy (Cambridge University Press, 2005).
- John Christman and Joel Anderson, eds., Autonomy and the Challenges to Liberalism: New Essays (Cambridge University Press, 2005).
- Marilyn Friedman, Autonomy, Gender, Politics (Oxford University Press, 2003).
- Willard Gaylin & Bruce Jennings, The Perversion of Autonomy: Coercion and Constraints in a Liberal Society (Georgetown University Press, 2003).
- Blain Neufeld, Public Reason and Political Autonomy: Realizing the Ideal of a Civic People (Routledge, 2022).
- Natalie Stoljar & Kristin Voigt, eds., Autonomy and Equality: Relational Approaches (Routledge, 2021).
- Bernd Rosslenbroich, On the Origin of Autonomy: A New Look at the Major Transitions in Evolution (Springer, 2014).
- Suzy Killmister, Taking the Measure of Autonomy: A Four-Dimensional Theory of Self-Governance (Routledge, 2017).
- Francesco di Iorio, Cognitive Autonomy and Methodological Individualism: The Interpretative Foundations of Social Life (Springer, 2015).
- Valery I. Chirkov, Richard Ryan & Kennon M. Sheldon, eds., Human Autonomy in Cross-Cultural Context: Perspectives on the Psychology of Agency, Freedom, and Well-Being (Springer, 2011).
Medical ethics:
- Onora O'Neill, Autonomy and Trust in Bioethics (Cambridge University Press, 2001).
- Christine Straehle, ed., Vulnerability, Autonomy, and Applied Ethics (Routledge, 2016).
- James Stacey Taylor, Practical Autonomy and Bioethics (Routledge, 2009).
- Sheila A.M. McLean, Autonomy, Consent and the Law (Routledge, 2010).
- James F. Childress & Michael Quante, eds., Thick (Concepts of) Autonomy: Personal Autonomy in Ethics and Bioethics (Springer, 2022).
- Michael Kühler & Veselin L. Mitrović, eds., Theories of the Self and Autonomy in Medical Ethics (Springer, 2020).
Photographs
Documentary and Educational Films
Imaginary
Fictional Narratives
Novels:
- Grady Hendrix, Witchcraft for Wayward Girls: A Novel (Berkley, 2025): “Until now, these girls have had to take whatever was thrown at them; with the book (and one another) they are, for the first time, able to seize what they want. But what do you want when you’ve been told your whole life that your desires don’t matter? Magic or no, each girl must find her own answer to that question.”
From the dark side, the loss of autonomy and identity as an existential fear:
- William Peter Blatty, The Exorcist: A Novel (1971), is an iconic tale of demonic possession.
- M.R. Carey, Someone Like Me: A Novel (Orbit, 2018): “ Liz is horrified at her actions and at the feeling she had of being controlled by someone, or something, else. 'She hadn’t willed this; she had only watched it, her nervous system dragged along in the wake of decisions made (instantly, enthusiastically) elsewhere.'”
- Alexis Schaitkin, Elsewhere: A Novel (Celadon Books, 2022): “In a remote mountain town scrubbed of identifying factors, new mothers risk succumbing to an “affliction” that causes some to vanish with no warning or trace.”
Poetry
I exist as I am, that is enough, / If no other in the world be aware I sit content, / And if each and all be aware I sit content.
One world is aware and by far the largest to me, and that is myself, / And whether I come to my own to-day or in ten thousand or ten million years, / I can cheerfully take it now, or with equal cheerfulness I can wait.
My foothold is tenon'd and mortis'd in granite, / I laugh at what you call dissolution, / And I know the amplitude of time.
[Walt Whitman, Leaves of Grass (1891-92), Book III: Song of Myself, 20.]
Out of the night that covers me, / Black as the pit from pole to pole, / I thank whatever gods may be / For my unconquerable soul.
In the fell clutch of circumstance / I have not winced nor cried aloud. / Under the bludgeonings of chance / My head is bloody, but unbowed.
Beyond this place of wrath and tears / Looms but the Horror of the shade, / And yet the menace of the years / Finds and shall find me unafraid.
It matters not how strait the gate, / How charged with punishments the scroll, / I am the master of my fate, / I am the captain of my soul.
[William Ernest Henley, “Invictus”]
Other poems:
- Pablo Neruda, “Cat’s Dream”
Music: Composers, artists, and major works
Presenting a single voice in simple melodic line, John Dowland’s intelligently constructed music for solo lute expresses the idea of human autonomy as well as any music can. A lutenist as well as a composer, Dowland no doubt derived his consummate skill in this genre from his own experience with the instrument, another element that makes this music an excellent fit for this subject.
- Complete works for lute, performed by Paul O’Dette (326’)
- Complete solo lute music, performed by Jakob Lindberg (261')
- Here is an album of Dowland’s solo lute works, performed by Jonas Nordberg, in a style similar to O’Dette’s (72’)
- Here is a similar album, Bor Zuljan performing (66’)
- Here is some of Dowland’s lute music, performed by an unidentified lutenist (113’).
Béla Bartók, String Quartet in A minor, Sz. 40, BB 52, Op. 7 (1909) (approx. 28-31’) (list of recorded performances): “His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ‘My song of death’.” “. . .each player is considered as an individual, with his own strand of the fabric; this autonomy brings about a textural richness comparable to the last quartets of Beethoven . . .”
Works for violin solo:
- Merrill Clark: The Sorceress, Seiðkonan - Sigurjónsdóttir Sonata (2010) (approx. 30’)
- Jónas Tómasson, Winter Trees, Vetrartré (1983) (approx. 16’)
- Runa Ingimundar, From My Home, Að Heiman (2012) (approx. 9’)
- Alfred Felder, Variations on Victimae Paschali Laudes, Tilbrigði Við Victimae Paschali Laudes (1987) (approx. 8’)
- Karólína Eiríksdóttir, Meditation, Hugleiðing (1996) (approx. 9’)
- Hródmar Sigurbjörnsson, Kyrie, Kurìe (2012) (approx. 9’)
Other works:
- Augustin Barrios Mangoré, guitar music (approx. 400’)
- James Aikman, Concerto for Saxophone and Orchestra (2010) (approx. 25’)
- C.P.E. Bach, Flute Sonatas, WQ 123-134 (approx. 144’) (list of recorded performances)
- Robert Baksa, Sonata da Giardina (1998) (approx. 12’)
- Richard Wilson, Music for Solo Flute (1972) (approx. 10’)
- Heitor Villa-Lobos, works for solo guitar (approx. 83’)
Jazz pianist Horace Tapscott has produced a substantial volume of music for solo piano, which he calls “The Tapscott Sessions”:
- Volume 1 (1982) (43’);
- Volume 2 (1982) (40’);
- Volume 3 (1983) (41’);
- Volume 8 (1996) (49’);
- Volume 9 (2000) (66’);
- Volume 10 (2002) (75’);
- Volume 11 (2009) (72’).
Albums:
- Matthew Shipp, “One” (2006) (41’) “With their compact, elegant architecture and measured elocution, One's 12 songs often resemble the early 20th century piano studies of Ravel or Debussy as closely as they do modern jazz.”
- Lee Jae-Hwa, “L'art du sanjo de geomungo (The Art of Geomungo Sanjo)” (2013) (50’): this Korean zither is played with a bamboo stick, often unaccompanied, as on this album, or sometimes with percussion.
- Lost Girls, “Menneskekollektivet” (2021) (44’), “is a statement about the beauty of slowing down, of not worrying about what you say and instead focusing on how you feel.”
Music: songs and other short pieces
- Laurie Lewis, “The Maple’s Lament” (lyrics), among the saddest songs you will ever hear
Visual Arts
- Salvador Dali, Portrait of a Child (unfinished) (1951)
Film and Stage
- Dead Ringers, about“twin gynecologists teetering on the brink of madness”
- The Exorcist: I am one who does not see this film merely as cheap entertainment. Its terror is in cutting to the core of personal identity. (See the novel by William Peter Blatty.) Rosemary’s Baby is its vicarious precursor. In a similar vein is The Fly.
- Performance, a film dealing with “sanity and identity”
