Value for Tuesday of Week 29 in the season of Ripening

Exercising Sound Judgment and Discretion

Wise people exercise sound judgment.

  • Judgment comes from experience, and experience comes from bad judgment. [variously phrased and variously attributed]
  • Foreign policy exactly suits Obama’s strong points as a leader, which turn out not to be giving the masses a clear sense of direction and hope, but instead exercising good judgment on a case-by-case basis while thinking many steps ahead of the present moment. [attributed to George Packer]
  • Discretion is the perfection of reason, and a guide to us in all the duties of life. [source unclear]

Sound judgment is an essential characteristic of wisdom. It is the ability to weigh, soundly, competing values, alternative courses of action and different ways of looking at things. A person of judgment may be recognized for her self-assurance in the face of seemingly overwhelming amounts of information. Yet a caveat is in order: the claim to sound judgment is a common hallmark of the charlatan.

Real

True Narratives

Judgement on a grand scale:

Bad judgment on a grand scale:

Colonialism reflects both egoism and, often, poor judgment; query which feature is the more dominant and germane.

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

From the dark side:

Poetry

Music: Composers, artists, and major works

Franz Koglmann is known as a champion of cerebral jazz, in a style called “Viennese cool”. He “has spent his career investigating the space between the Viennese school and the cool school, writing and performing intricately detailed, beautifully arranged chamber-like works marked by a stunning elegance of line that one might expect from a former architect.” “He manages to marry his love for the West Coast cool jazz with elements from European modern and classic music composers, especially Franz Schubert, Alban Berg and Anton von Webern.” He has created an impressive set of playlists. 

George Szell was a conductor known for his analytical approach to music. An early demonstration of good judgment came when he turned to conducting, after recognizing that he was not likely to succeed as a pianist or composer. Another was in focusing on “those works which I thought I'm best qualified to do, and for which a certain tradition is disappearing with the disappearance of the great conductors who were my contemporaries and my idols and my unpaid teachers.” “With this sharp baton he made incisive patterns that his musicians could read instantan eously, without having to won der at what precise point in the downbeat, for instance, he meant the music to begin.” “His cultivation of the Cleveland Orchestra set an example of discipline and hard work that gradually helped raise the standards of orchestras across America. His playlists are extensive.

From the comically dark side:

Richard Strauss, Don Quixote, fantastische Variationen über ein Thema ritterlichen Charakters, for cello and orchestra, Op. 35, TrV 184 (1897) (approx. 37-43 ‘) (list of recorded performances), tells in music the story of a man with grand aspirations, and abysmal judgment. “Few characters have captured our imagination than Don Quixote, the befuddled knight—a pathetic, aging oddball who dreams of righting the world’s wrongs. The knight is the protagonist of Miguel Cervantes’ novel Don Quixote or ‘The Ingenious Gentleman Don Quixote of La Mancha’ of 1605 . . .” “Cervantes tell us briefly about his character and how he became who he was: ‘Through too little sleep and too much reading of books on knighthood, he dried up his brains in such a way that he wholly lost his judgement. His fantasy was filled with those things that he read, of enchantments, quarrels, battles, challenges, wooings, loves, storms . . .” “The old Don has been reading every word he can find on the subject (of chivalry) . . . until his poor old head is so crammed with giants, ogres, enemies, infidels, evil magicians and the like that he is impelled to set forth on his skinny old nag Rosinante, suffocating in his heavy, rusty armor, and put all evil to the sword -— all, of course, in the name of his fair beloved, Dulcinea, whom, needless to say, he has completely made up.” “The work is presented in three sections: an introduction that depicts the gradual deterioration of Don Quijote’s mental health, a group of ten variations corresponding to ten episodes in the novel, and the Epilog which describes Don Quijote’s return to sanity and eventual death. Top recorded performances are by Strauss and Mainardi in 1933, Reiner and Piatigorsky in 1941, Reiner and Janigro in 1959, Karajan and Fournier in 1965, Boult and du Pré in 1968, Kempe and Tortelier in 1973, Karajan and Meneses in 1986, Schwarz and Harrell in 2001, Zinman and Grossbacher in 2003 ***; and Petrenko and Tuck in 2017.

From the dark side:

Music: songs and other short pieces

Visual Arts

Film and Stage

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