Value for Sunday of Week 31 in the season of Ripening

Displaying Courage

Courage is an action taken at risk to the self. It is the active component of dignity. All of the elements of dignity – wisdom, caring and courage – are ego-transcendent, and lead to spiritual development.

Soldiers who volunteer for combat, police officers and firefighters, who risk their lives for a higher cause, are prime examples of the courageous. Risking death or serious injury to help others easily comes to mind when we think of courage.

Psychologically, standing up to one’s peers or one’s community is a more courageous act than facing bullets: it is more rare, and can be as important or more important. I have witnessed an example of courage up close. When my son was sixteen years old and a high school junior, his history teacher, in a public school, spent the first week of class proselytizing his extreme religious and political views. Being his father’s son, Matt knew that this violated constitutional protections under the First Amendment. He concluded that the only effective way to put a stop to the teacher’s rogue behavior was to record the classes – else Matthew would not be believed in his accusations, or have any proof of them. When word got out, he lost nearly all his “friends”, and the entire local community turned against him. I watched Matthew as he faced down all the opposition, and stood his ground. His mother and I offered to place him in another school; Matthew pointed out that he had done nothing wrong, and was not going anywhere. My son is my patron saint of courage.

Real

True Narratives

Book narratives:

From the dark side:

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

In Les Misérables, Father Fauchelevent is one of only a few people who do not like Valjean. One day, Fauchelevent’s cart falls on him. His life is in danger, when Valjean, a/k/a Madeleine, risks his own life to intervene.

"Ah! It is crushing me!" cried the old man.  Madeleine raised his head, met Javert's falcon eye still fixed upon him, looked at the motionless peasants, and smiled sadly. Then, without saying a word, he fell on his knees, and before the crowd had even had time to utter a cry, he was underneath the vehicle.  A terrible moment of expectation and silence ensued.  They beheld Madeleine, almost flat on his stomach beneath that terrible weight, make two vain efforts to bring his knees and his elbows together. They shouted to him, "Father Madeleine, come out!" Old Fauchelevent himself said to him, "Monsieur Madeleine, go away! You see that I am fated to die! Leave me! You will get yourself crushed also!" Madeleine made no reply.  All the spectators were panting. The wheels had continued to sink, and it had become almost impossible for Madeleine to make his way from under the vehicle.  Suddenly the enormous mass was seen to quiver, the cart rose slowly, the wheels half emerged from the ruts. They heard a stifled voice crying, "Make haste! Help!" It was Madeleine, who had just made a final effort.  They rushed forwards. The devotion of a single man had given force and courage to all. The cart was raised by twenty arms. Old Fauchelevent was saved. [Victor Hugo, Les Misérables (1862), Volume I – Fantine; Book Fifth – The Descent Begins, Chapter VI, “Father Fauchelevent”.]

Novels:

Poetry

Music: Composers, artists, and major works

A courageous musician

 

Nina Simone lived courageously, and carried this trait into her music. “Trained as a classical pianist, she began singing in clubs to earn money. Her rapid rise as a popular performer who could play and sing anything did not prevent her from being exploited by record companies and managers, and her subsequent life-long sense that she needed a strong male protector did not always serve her well. Nonetheless, between 1958 and 1974 she recorded more than 40 albums. From 1964 to 1974 Simone dedicated herself to the US civil rights movement, inspiring activists young and old with her powerful songs against racist oppression.” She once said: “I choose to reflect the times and the situations in which I find myself that to me is my beauty and at this crucial time when everything is so desperate when every day is a matter of survival, you can’t help but be involved.” “Simone was billed as a jazz vocalist, but she often rejected the label, viewing it as a reflection of her race more than her musical style and training. She self-identified as a folk singer, with a style that also incorporated blues, gospel, and pop, among others.” Books about Nina Simone are by Nadine Cohodas, Jennifer Warner, Alan Light, Alice Brière-Haquet, and Traci N. Todd. Here is a link to her releases.

Three operas about courage

Other works:

Albums:

Music: songs and other short pieces

Visual Arts

Film and Stage

latest from

The Work on the Meditations