Value for Sunday of Week 29 in the season of Ripening

Being Wise

Wisdom is a complex human trait, characterized by a marriage of the intellect with the emotions, and put into action.

  • By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest. [attributed to Confucius]
  • The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom. [Isaac Asimov]
  • Knowing yourself is the beginning of all wisdom. [widely attributed to Aristotle]
  • Never interfere with the enemy when he is in the process of destroying himself. [attributed to Napoleon Bonaparte]

The transcendent intellectual virtue is wisdom. King Solomon’s court is said to have marveled at his wisdom when he ordered the baby cut in half, knowing that would identify the mother; even if he was wrong, the only woman, of the two, fit to care for the child was the one who would act to save him. Wisdom is intellect reaching deep into the emotional lives of others, often predicting how they will feel or what their behavior will be, and acting accordingly. It must be grounded in universal respect for human worth and dignity. All the building blocks we have taken so far must be in place, then wisdom can thrive.

Conceptually, agape and courage and simple concepts; by contrast, wisdom is a complex human trait, with many components. Overall, it refers to making sound judgments in difficult situations, employing knowledge and experience. Such knowledge may be most useful in leading to wisdom when it is hard-earned, However, scholars do not agree on a precise definition. A few statements about it are:

Several wisdom paradigms have been developed (see Table 4 here):

If wisdom was easily defined, perhaps it would not be a transcendent intellectual virtue. Although not all scholars agree on a precise definition of wisdom, its main features are generally believed to include:

In addition to reaching into the emotions, wisdom is in its essence active. Knowing what to do but not doing it, is not wisdom. As we get into the components of dignity, at the pinnacle of ethical Being, the domains of Being are increasingly united.

Real

True Narratives

It was my teacher's genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower.  Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks. [Helen Keller, The Story of My Life (1904), Chapter VII.]

Other true narratives:

When wisdom was lacking:

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

Karen Russell is an author with a remarkably distinctive literary voice.  “Her work has a velocity and trajectory that is little less than dazzling and a tough, enveloping, exhilarating voice that cannot be equaled.

Other novels:

Poetry

Books of poems:

Music: Composers, artists, and major works

Paul Simon writes of life. Just when you think we’re “gliding down the highway”, he lands a devastating verbal blow to the solar plexus. You may not feel it at the time but sooner or later, if you’re paying attention, it will catch up with you. Simon earned an honored place in popular music history with his beautiful duets with Art Garfunkel but his was not the pretty voice. His performances are professional but his high-baritone voice is thin and unremarkable. His incorporation of world music into his own is forward-looking and excellent but not extraordinary. Simon’s place in music history, and as the first recipient of the Library of Congress Gershwin Prize for popular song, comes from his unique combination of easy popular melodies with brilliant lyrics that jar the soul not with crass or vulgar language but with images in the key of life. Simon has been the subject of biographies by Robert Hilburn, Peter Ames Carlin and Laura Jackson. Hilburn convinced Simon to cooperate with the biography by telling him “. . . it would be a ‘serious’ book, not a typical celebrity biography. I also told him I felt he owed it to history; that his story, the music and the personal life, deserves to be documented. Simon’s solo releases are extensive, and his releases as the singer-songwriter in Simon & Garfunkel are iconic. Playlists and videos are also available. He has given recorded live concerts in Montevideo in 1992, for BBC in 2006, in Nottingham, U.K., in 2016, and in Charlotte, N.C., in 2017. His 1981 Concert in Central Park with Art Garfunkel was a cultural event. 

Carl Nielsen, Violin Concerto, Op. 33, FS 61 (1911) (approx. 35-40 ‘) (list of recorded performances): wisdom incorporates high intellectual and emotional functioning. So it is with Nielsen’s Violin Concerto. Nielsen expressed his intent: “It has to be good music and yet always show regard for the development of the solo instrument, putting it in the best possible light. The piece must have substance and be popular and showy without being superficial. These conflicting elements must and shall meet and form a higher unity.” Violinist Vilde Frang says: “It's very hard to get Nielsen right; I think it's because his music isn't very obvious. Structurally, it's so free -- it swims, in a way. There is a structure, but it's a very exotic, very special, very personal kind of structure.” Violinist Johan Dalene says: “The music is full of surprises, unexpected harmonic twists and sudden changes of mood. Here we find pride, joy and an exquisitely beautiful and melancholy slow movement which ends with a question mark. There is an enormous wealth of detail and every time I return to Nielsen’s music, I find something new. Top recorded performances are by Lin (Salonen) in 1988, Tellefsen (Menuhin) in 1989, Vengerov (Barenboim) in 1996, Anthony (Matson) in 1998, Znaider (Foster) in 1999, Matsuyama (Wagner) in 1999, Frang (Jensen) in 2011 ***, Zilliacus (Blendulf) in 2014, and Dalene (Storgårds) in 2022. 

Other artists and albums:

Compositions:

Music: songs and other short pieces

Visual Arts

Film and Stage

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