Value for Friday of Week 05 in the season of Dormancy

Living in Equanimity

Becoming agitated about what has been serves no good purpose.

If you can keep your head when all about you / Are losing theirs and blaming it on you, / If you can trust yourself when all men doubt you, / But make allowance for their doubting too; /  If you can wait and not be tired by waiting, / Or being lied about, don’t deal in lies, / Or being hated, don’t give way to hating, / And yet don’t look too good, nor talk too wise:

If you can dream – and not make dreams your master; / If you can think – and not make thoughts your aim; / If you can meet with Triumph and Disaster / And treat those two impostors just the same; / If you can bear to hear the truth you’ve spoken / Twisted by knaves to make a trap for fools, / Or watch the things you gave your life to, broken, / And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings / And risk it on one turn of pitch-and-toss, / And lose, and start again at your beginnings / And never breathe a word about your loss; / If you can force your heart and nerve and sinew / To serve your turn long after they are gone, / And so hold on when there is nothing in you / Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue, / Or walk with Kings – nor lose the common touch, / If neither foes nor loving friends can hurt you, / If all men count with you, but none too much; / If you can fill the unforgiving minute / With sixty seconds’ worth of distance run, / Yours is the Earth and everything that’s in it, / And – which is more – you’ll be a Man, my son!
[Rudyard Kipling, “If“]

Equanimity can be defined as an even-minded mental state or dispositional tendency toward all experiences or objects, regardless of their origin or their affective valence (pleasant, unpleasant, or neutral).” It is the art and practice of remaining focused on the work before us and not being distracted by extraneous matters.

Several studies demonstrate beneficial effects of equanimity:

However, equanimity can be taken to counter-productive excess: “Inhibiting the Expression of Negative Emotion is Associated with Depression Symptoms in Girls”.

Several factors appear to influence equanimity.

Imaginary

Fictional Narratives

In Les Misérables, many people are suspicious of Valjean’s generosity and humility, wondering what his motive might be. After all, Hugo suggests, if he renounces things for himself, he must want something greater than the things he renounces. Valjean is unaffected by it all. Only when he sees that accepting an honor can be of use to others does he accept it.

Decidedly this man was an enigma. The good souls got out of their predicament by saying, "After all, he is some sort of an adventurer."  We have seen that the country owed much to him; the poor owed him everything; he was so useful and he was so gentle that people had been obliged to honor and respect him. His workmen, in particular, adored him, and he endured this adoration with a sort of melancholy gravity. When he was known to be rich, "people in society" bowed to him, and he received invitations in the town; he was called, in town, Monsieur Madeleine; his workmen and the children continued to call him Father Madeleine, and that was what was most adapted to make him smile. In proportion as he mounted, throve, invitations rained down upon him. "Society" claimed him for its own. The prim little drawing-rooms on M. sur M., which, of course, had at first been closed to the artisan, opened both leaves of their folding-doors to the millionnaire. They made a thousand advances to him. He refused.  This time the good gossips had no trouble. "He is an ignorant man, of no education. No one knows where he came from. He would not know how to behave in society. It has not been absolutely proved that he knows how to read."  When they saw him making money, they said, "He is a man of business." When they saw him scattering his money about, they said, "He is an ambitious man." When he was seen to decline honors, they said, "He is an adventurer." When they saw him repulse society, they said, "He is a brute."  In 1820, five years after his arrival in M. sur M., the services which he had rendered to the district were so dazzling, the opinion of the whole country round about was so unanimous, that the King again appointed him mayor of the town. He again declined; but the prefect resisted his refusal, all the notabilities of the place came to implore him, the people in the street besought him; the urging was so vigorous that he ended by accepting. It was noticed that the thing which seemed chiefly to bring him to a decision was the almost irritated apostrophe addressed to him by an old woman of the people, who called to him from her threshold, in an angry way: _"A good mayor is a useful thing. Is he drawing back before the good which he can do?"_  This was the third phase of his ascent. Father Madeleine had become Monsieur Madeleine. Monsieur Madeleine became Monsieur le Maire. [Victor Hugo, Les Misérables (1862), Volume I – Fantine; Book Fifth – The Descent Begins, Chapter II,Madeleine”.] 

Much they saw, and far they went, and many homes they visited, but always with a happy end. The Spirit stood beside sick beds, and they were cheerful; on foreign lands, and they were close at home; by struggling men, and they were patient in their greater hope; by poverty, and it was rich. In almshouse, hospital, and jail, in misery's every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing, and taught Scrooge his precepts. [Charles Dickens, A Christmas Carol (1843), Stave III:The Second of the Three Spirits”.]

Novels:

Novels from the dark side:

Poetry

Poems:

·      Elizabeth Bishop, “One Art

·      John Keats, “On Fame

·      James Joyce, “Be Not Sad

 

From the dark side:

·      Edgar Lee Masters, “E.C. Culbertson

·      Edgar Lee Masters, “Granville Calhoun

·      Edgar Lee Masters, “Harry Carey Goodhue

Music: Composers, artists, and major works

Compositions:

Albums:

Opposite:

Music: songs and other short pieces

Visual Arts

Film and Stage

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