Value for Wednesday of Week 36 in the season of Fulfillment

Being Resourceful and Innovative – Discovering and Inventing

Innovation is the final test of creativity. It is creativity in action, with results.

  • Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse. [Winston Churchill]
  • A noble purpose inspires sacrifice, stimulates innovation and encourages perseverance. [attributed to Gary Hamel]
  • Any good music must be an innovation. [attributed to Les Baxter]

RESOURCEFULNESS and INNOVATION as PERSONAL ATTRIBUTES 

Though scholars define it in various ways, resourcefulness essentially is creativity in action. “Learned resourcefulness refers to a set of coping and problem-solving skills that facilitate the monitoring, control, and change of dysfunctional or unpleasant events.” Resourcefulness is of particular interest in settings ranging from family relationships to entrepreneurship

All innovations start from a creative moment . . .” It is taking the available resources, using them to the fullest and thereby finding an answer or invention or a new discovery that was previously unseen. “-fulness” is key: the answer was available all along but by making fuller use of the resources their potential becomes realized in innovation.

Innovations require people to change behaviors . . .” They must be willing to fail. Motivational psychologists have found that “an innovation has to be considered possible and necessary, feasible and viable.” Per one study, “psychological factors reflecting goal orientation are the most important for interpreting individual innovativeness.

Scholars have identified “evolved psychological mechanisms” of innovation, and have looked to animal behavior to understand this better. Like all social phenomena, innovation and innovation systems evolve.

INNOVATION as a SOCIAL GOOD

Collective creativity and innovation are key determinants of various important outcomes ranging from competitiveness of an organization to GDP growth of a country.” Innovation is of special interest to business leaders and entrepreneurs, because innovation leads to economic growth. Business schools focus on it, for that reason. “In advanced nations, producing standard products using standard methods will not sustain competitive advantage. Companies must be able to innovate at the global frontier.Cultural factors, including politics, are important in how societies approach innovation. Though we may think of creativity as an individual virtue, innovation often occurs in teams.

Leading scholars have noted the connection between imagination, innovation, and creativity; and wondered why researchers have not paid more attention to the connection among the three. A “literature review of the creativity and innovation (revealed that) there were more studies and research within individual creativity and team creativity and less in organizational creativity.” “Organisational survival is rooted in the ability to innovate. Organisations must innovate, as otherwise, they perish, particularly in a business environment framed by constant change, such as during periods wrought by the Global Financial Crisis or the COVID-19 pandemic.” 

Processes of innovation intricately weave together the common warp of individual processes of change (e.g., cognitive elements of awareness, memory, and learning) with the ever-flowing weft of social phenomena (e.g., social networks, cultural meaning, contagion, word of mouth, and impression management) and technological progress (e.g., customization, virtual reality, and the Internet of Things).

The human capacity to innovate also poses dangers. Innovation led to nuclear weapons. It has also led to digital technologies, including the computer and artificial intelligence, the latter of which poses extreme dangers to human societies and people individually.

Real

True Narratives

Great inventors and discoverers:

Histories of innovation and invention:

Other narratives on resourcefulness:

Technical and Analytical Readings

Technological progress, the fruit of resourcefulness and innovation on a grand scale:

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

It was thought that he must, in the past, have lived a country life, since he knew all sorts of useful secrets, which he taught to the peasants. He taught them how to destroy scurf on wheat, by sprinkling it and the granary and inundating the cracks in the floor with a solution of common salt; and how to chase away weevils by hanging up orviot in bloom everywhere, on the walls and the ceilings, among the grass and in the houses.  He had "recipes" for exterminating from a field, blight, tares, foxtail, and all parasitic growths which destroy the wheat. He defended a rabbit warren against rats, simply by the odor of a guinea-pig which he placed in it.  One day he saw some country people busily engaged in pulling up nettles; he examined the plants, which were uprooted and already dried, and said: "They are dead. Nevertheless, it would be a good thing to know how to make use of them. When the nettle is young, the leaf makes an excellent vegetable; when it is older, it has filaments and fibres like hemp and flax. Nettle cloth is as good as linen cloth. Chopped up, nettles are good for poultry; pounded, they are good for horned cattle. The seed of the nettle, mixed with fodder, gives gloss to the hair of animals; the root, mixed with salt, produces a beautiful yellow coloring-matter. Moreover, it is an excellent hay, which can be cut twice. And what is required for the nettle? A little soil, no care, no culture. Only the seed falls as it is ripe, and it is difficult to collect it. That is all. With the exercise of a little care, the nettle could be made useful; it is neglected and it becomes hurtful. It is exterminated. How many men resemble the nettle!" He added, after a pause: "Remember this, my friends: there are no such things as bad plants or bad men. There are only bad cultivators." [Victor Hugo, Les Misérables (1862), Volume I – Fantine; Book Fifth – The Descent Begins, Chapter III, “Sums Deposited with Laffitte”.]

Novels:

Poetry

Music: Composers, artists, and major works

In contemporary “classical” music, several organizations and record labels are devoted to new music emphasizing creativity. These include:

Franz Joseph Haydn is widely credited with the invention of the string quartet, which has become among the most popular forms of classical music. He came upon the form by accident, when a nobleman requested a composition for the musicians he had available: two violinists, a violist and a cellist..Haydn composed seventy-seven string quartets under fifteen opus numbers, changing chamber music forever. Haydn’s string quartets retain the divertimenti style through Opus 17 but Opus 9 marks leap forward from the earlier works, allowing us to hear the master’s invention of string quartet in progression.

Op. 9 (1769) (approx. 134’) (list of recorded performances):

  • Quartet No. 11 in D minor, Op. 9, No. 4, FHE No. 16, Hob. No. III:22 (approx. 23’);
  • Quartet No. 12 in C Major, Op. 9, No. 1, FHE No. 7, Hob. No. III:19 (approx. 23’);
  • Quartet No. 13 in G Major, Op. 9, No. 3, FHE No. 9, Hob. No. III:21 (approx. 19’);
  • Quartet No. 14 in E Major, Op. 9, No. 2, FHE No. 8, Hob. No. III:20 (approx. 21’);
  • Quartet No. 15 in B Major, Op. 9, No. 5, FHE No. 17, Hob. No. III:23 (approx. 26’);
  • Quartet No. 16 in A Major, Op. 9, No. 6, FHE No. 18, Hob. No. III:24 (approx. 22’).

Op. 74 (“Apponyi” quartets, set 2, 1793) (approx. 80’):

Op. 77 (“Lobkowitz” quartets, 1799) (approx. 62’):

Opus 81: Quartet No. 68 in D minor (unfinished) (approx. 10’); Op. 103, Hoboken No. III:83 (incomplete, 1803) (approx. 11’)

Violinist Patricia Kopatchinskaja pushes boundaries, in playing and in presentation. Kopatchinskaja is known “for ‘alarmingly innovative’ (LA Times) musical interpretation that ‘excites and puzzles’ (New York Times) . . .” “She’s also a fascinating and innovative musical thinker, always ready to take a new approach to familiar repertoire.” She explains one of her methods: “I often help myself to escape routine by staging the piece in my head, writing a story, designing costumes, stage-setting, figures, asking how can I make it understandable even for a small child so that he doesn’t lose his attention, so that an old person doesn’t fall asleep and so that a young person comes again. It needs a new voice, language, ear and eyes in order to wipe off the dust from our classical temples.” Here is a link to her playlists, and to her performing live.

Conductor Leopold Stokowskiwas the innovative and charismatic conductor of the Philadelphia Orchestra  from 1912 to 1941 and was an influential figure in music-making through much of the twentieth century.” “Of all symphonic conductors in the 20th Century, Leopold Stokowski was the one most concerned with audio advancement. He made the first electrical recording of a complete symphony (1924), was the first to experiment with stereo (1931) and, most extravagant, developed in ‘Fantasia’ the first multichannel sound system for movies (1940).” “He elicited a distinctly silken string sound. He innovated on the style of performance and mesmerized his listeners with the expressive painterly gestures of his hands (he used no baton), his dashing profile, his shock of flowing hair, and his elegant presence.” He is the subject of a book by William Ander Smith. Here are links to his releases, his playlists, a documentary film, and a video of his conducting.

Engelbert Humperdinck, Hänsel and Gretel (1893) (approx. 105-110’) (libretto)  (list of recorded performances): two children use their wits to survive. The opera is modeled on the Grimm fairy tale. Top performances with video are by Gruberova & Fassbaender (Solti) in 1981; and Damm & Ullmann (Gurgel) in 1981. Top audio-only recorded performances are by Springer & Hoff (Suitner) in 1970; Moffo & Donath (Eichhorn) in 1981; and von Otter & Bonney (Tate) in 1989 ***.

Other works, from other composers:

Gebhard Ullmann and Basement Research have created albums whose titles suggest invention of the tangible and the abstract:

Praised as heirs of amazonic psychedelia and chicha traditions, as well as innovators, Bareto’s concerts should be promoted as dance parties.” Their instrumentation and style are fascinating and addictive. Here are links to their releases, their playlists, and some videos.

Other albums:

Music: songs and other short pieces

Visual Arts

Film and Stage

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