Value for Thursday of Week 38 in the season of Fulfillment

Intimacy

Intimacy reaches deep within, and simultaneously outward to another. It is transcendent in its depth.

  • Those who have never known the deep intimacy and the intense companionship of mutual love have missed the best thing that life has to give. [Bertrand Russell]
  • For me, it’s the ultimate to be able to nurture and nourish someone. They trust you. It’s a basic form of intimacy in a community. [Lidia Bastianich]
  • Fear is the great enemy of intimacy. Fear makes us run away from each other or cling to each other but does not create true intimacy. [Henri Nouwen]

If we are fortunate, we have one or a few sustaining relationships that are emotionally intimate. Intimacy implies a deep-reaching trust, confidence and reliance that express key elements of Faith. Passion nurtures it and regard for the loved one(s) guides it. “The word intimacy is derived from the Latin word ‘intimus,’ which means ‘inner’ or ‘innermost.’” Several factors from earlier life predict a person’s proclivity for intimacy.

“Intimacy is a feeling of closeness and connection in an interpersonal relationship. It is an essential part of intimate relationships, but it also plays an important role in other relationships with friends, family members, and other acquaintances.” It “. . .  instills trust, understanding, acceptance, and makes you feel more connected to each other.  From affection, love, romance, sex to spirituality, emotional intimacy comprises every feeling that is pivotal for keeping your marriage or relationship strong.” Intimacy is risky: it makes us vulnerable to being hurt.

“Research evidence tells us that the presence of intimacy in our lives — feeling understood, accepted and cared for — strongly influences our overall physical and emotional well-being. Intimacy builds from many sources, including the quality of a partner’s responsiveness during conversation, the presence of empathy, acts of kindness and generosity, plus — and this is often overlooked — the ongoing experience of physical touch.” Intimacy is important for older couples, as well as younger ones.

Real

True Narratives

Book narratives:

From the dark side:

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

Novels:

Poetry

When you came, you were like red wine and honey.
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.

[Amy Lowell, “A Decade”]

Other poems:

Books of poetry:

Music: Composers, artists, and major works

Alexander Borodin, String Quartet No. 2 in D major (1881) (approx. 26-30’) (list of recorded performances): this masterwork of Russian romanticism paints a musical picture of an evening between two people who are romantically involved and deeply in love. “The cello was Borodin’s instrument, and it is clearly his 'voice' in this radiantly lyrical work.” “. . . the whole work is almost like a love letter. The prominent cello and first violin parts may represent Borodin and his wife.” Appropriately, “Borodin dedicated the work to his wife on their twenty-fifth anniversary.” Top recorded performances are by Hollywood String Quartet in 1952, Borodin Quartet in 1962, Borodin Quartet in 1980, Talich Quartet in 1986 ***, Shostakovich Quartet in 1993, Quatuor Alcan in 1993, The Lindsays in 2002, and Borodin Quartet in 2005.

  • Allegro – moderato: the opening movement evokes images, perhaps from mid-afternoon, of preparations for the evening.
  • Scherzo: Allegro: here the preparation and excitement build, as evidenced by the quicker tempi and rushes of notes. Perhaps they have gone out for the evening.
  • Nocturne: Andante: our couple has returned home, and we hear one of the most romantic movements in music. As the movement winds toward its conclusion, the couple winds down toward sleep.
  • Finale: Andante - Vivace: reinvigorated, the couple sound hints – and only that – of discord. Perhaps it was an unkind remark from one of their other companions earlier in the evening. No matter, the incident is quickly forgotten as the lovers return home and climb into bed.

Obviously, trombonist Natalie Cressman and guitarist Ian Faquini enjoy a close personal affinity. This unusual pairing of instruments, in these hands, evokes intimacy:

Dora Pejačević’s chamber works express the playfulness of intimacy:

Other works:

Albums:

On these albums, the intimacy is in the performance – the sound of intimacy:

Music: songs and other short pieces

Visual Arts

Film and Stage

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The Work on the Meditations